I found the BIAB vids and still regularly watch them every time I run into something I don't quite grasp. When I first started using reaaper (when I got into this whole deal to begin with) I couldn't find a whole bunch of Reaper specific vids - at least the ones like in this particular context. I probably sound like a fanboy, but I've recommended his tuts on a number of forums and everyone seems to get at least 'something' positive from them. Maybe the answer is adding another of the same layer? or Multitracking? Chorus? I like the character of the given waveform added, just not gaps I can hear in it if that makes sense. On the undesirably audible oscillations of the sound, filtering does reduce how obvious this is, but the root is the fact that I can hear the oscillations at all. With regard to the next layer I need a bit of practice to get the sound I am after. So thanks to the feedback here I managed that first layer to the sound. It seems that the problem getting that foundation bass may have been the fact that there were certain effects automatically switched on which I did not know about.
#Hip hop sub bass u he diva how to#
That is the crucial bit it seems: having that rudimentary knowledge to know exactly how to build things from the ground up before learning the limitations of software later. There are like 15 songs there in multiple electronica and hip hop genres covering all types of bass processing.
![hip hop sub bass u he diva hip hop sub bass u he diva](http://pro-vst.org/uploads/posts/2020-08/1596729117_killer-tone-ultimate-future-pop.jpg)
Beware British humor for it abounds ) Kidding aside, I cannot begin to tell you how thorough he is and he spends time explaining why he does things. They are reason based but the info is usable in any vst. Go to and Dave Brown's 7 day song tutorials.
#Hip hop sub bass u he diva free#
Why is this? And are there any/many free ones that don't? Im trying VSTi basses but I'm struggling to find one which doesn't come apart and sound like fart noises when the pitch gets dropped low. There's no "need" per se to go elsewhere unless you want to get into heavy voodoo, but even then, combine the contents of the JS folder with the VSTi folder and you'll be amazed at what can happen ) In fact, Reasynth can make incredible dance basses on it's own/with a couple instances.
![hip hop sub bass u he diva hip hop sub bass u he diva](https://soundsdivine.com/wp-content/uploads/2014/05/BW.png)
You can freq split a single bass and process the individual bands accordingly.Īnd as has been said, make sure your speakers can reproduce the range you want without becoming part of the problem. You can also use xcomp to tame certain ranges.
![hip hop sub bass u he diva hip hop sub bass u he diva](https://plugintorrent.com/wp-content/uploads/2016/11/08420ff86b4669d564d335791ac5cc91.jpg)
Use Reasynth for the sine (even a little added saw is OK with it). There are a million ways to go about this in Reaper. Make a seperate bass with the same notes on a new track using a bass you otherwise like, but is giving you that fart bass sound you hate.įilter off the low end of the second bass so you have the harmonic content of the higs and get the clean sine sub of the first track. Including what others have already said, try these ideas: A lot of 'dance' type bases are often more than one bass.